Focusing on the intricate presence of a Japanese new religion (Sekai Ky?seiky?) in the densely populated and primarily Christian environment of Kinshasa (DR Congo), this ethnographic study offers a practitioner-orientated perspective to create a localized picture of religious globalization. Guided by an aesthetic approach to religion, the study moves beyond a focus limited to text and offers insights into the role of religious objects, spiritual technologies and aesthetic repertoires in the production and politics of difference. The boundaries between non-Christian religious minorities and the largely Christian public sphere involve fears and suspicion of “magic” and “occult sciences”.

![[PDF] Seekers and Things: Spiritual Movements and Aesthetic Difference in Kinshasa](https://digzon.com/wp-content/uploads/2024/04/8f79564444dc87a7dc348acdf3acaf24-d.jpg)
![[PDF] Wittgensteinian Exercises: Aesthetic and Ethical Transformations (Asthetische Praxis, 3)](https://digzon.com/wp-content/uploads/2024/04/f6bb82be8be264c4ab4877d235308dfc-g.jpg)
![[PDF] Bonds of Civility: Aesthetic Networks and the Political Origins of Japanese Culture (Structural Analysis in the Social Sciences, Series Number 26)](https://digzon.com/wp-content/uploads/2024/04/3ba3fc805da3e848cb6591f34b99d732-g.jpg)
![[PDF] Whitewash and the New Aesthetic of the Protestant Reformation](https://digzon.com/wp-content/uploads/2024/04/91a429ce5fbf665a2f0b02a78cfea25b-g.jpg)
![[PDF] Classical Music and Opera During and After the COVID-19 Pandemic: Empirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms (Music Business Research)](https://digzon.com/wp-content/uploads/2024/04/5ea1d875313888f8e15049e76ec79349-g.jpg)
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